26.09.2022
MARK GROTJAHN, Untitled (Backcountry Capri 54.74), 2021. Oil on cardboard mounted on linen, 74 3/8 x 94 3/8 in 188.9 x 239.7 cm.
© Mark Grotjahn. Photo: Douglas M. Parker Studio. Courtesy Gagosian
17.09.2022
SETSUKO, Magnolia I, detail, 2022, Terracotta smaltata 82 x 46 x 43 cm, 32 3/8 x 18 1/8 x 17 inches © Setsuko Foto: Thomas Lannes. Courtesy Gagosian

10.09.2022
WILFREDO PRIETO, Un sputnik, una hormiga, 2019, photo courtesy Fondazione Morra Greco, Napoli e Maurizio Esposito

29.08.2022
GABRIELE ERMINI, Senza titolo (Gap), olio e acrilico su tela, 70x70 cm, 2021. Courtesy l’artista


20.08.2022
VERA PORTATADINO, As the Sun Burns the Ground, 2021, olio, gessetti e acrilico su tela, 160 X 190 cm, courtesy l'artista, photo credit Cosimo Filippini
13.08.2022
ACHILLE ADONON, Les Energies, 180x 151x 15 cm, 2019, Sculpture (assemblage de rebuts  chaussures). Courtesy dell'Artista

06.08.2022
DAVIDE TRANCHINA, Dentro la caverna - Paesaggio #1, 2011, Stampa Fine Art giclée e leger. Courtesy dell'artista e Galleria Studio G7, Bologna

30.07.2022
BEKHBAATAR ENKHTUR , Oasis, 2022, installation view (particolare). Progetto a cura di Ramdom Association in collaborazione con Fondazione Elpis, foto Alice Caracciolo. Courtesy dell'Artista
23.07.2022
GIANNI GOSDAN, Lego 1968, 3 rossi 2 bianchi, 2021, Hahnemühle pigment print 60x90 cm., Ed.  1/5, Courtesy dell'Artista

16.07.2022
ALFREDO JAAR, Padiglione Rosso, 2022, Milano, installazione permanente nel parco di CityLife all’interno del progetto ArtLine. Progetto architettonico AOUMM. Photo credit: Fabio Petronilli Filmmaker. Courtesy of Galleria Lia Rumma Milano/Napoli


10.07.2022
GIAN MARIA TOSATTI, Моє серце пусте, як дзеркало - одеський епізод (Il mio cuore è vuoto come uno specchio - Episodio di Odessa) 2020, ambient installation, site specific. Courtesy of Galleria Lia Rumma Milano/Napoli
02.07.2022
ETTORE SPALLETTI, Ellisse, 2016, marmo bianco sivec, impasto di colore su legno. Ph. Werner J. Hannappel, Courtesy Galleria Lia Rumma, Milano-Napoli
25.06.2022
MARINA ABRAMOVIĆ, Holding the Skeleton, 2008, color chromogenic print. Courtesy Galleria Lia Rumma, Milano-Napoli

18.06.2022
Exhibition view, Freedom is a constant struggle, EMORY DOUGLAS solo show, Galleria Laveronica, Modica, 2017

11.06.2022
DANIELA ORTIZ,The rebellion of the roots, 2021, Acrylics on wood 20 × 30 cm
04.06.2022
IGOR GRUBIC, Do Animals...? , 2017 /inkjet on archival paper 100 × 140 cm

28.05.2022
JONAS STAAL, Assemblism, Studies, 2017, acrylic on coated sheet paper - series of 2 drawings 29,7 × 21 cm Courtesy Galleria Laveronica

21.05.2022
SANFORD BIGGERS, Of Dusk and Dawn, 2022, Ex. Unique within a series. Marmo galala beige. Courtesy Massimo De Carlo

14.07.2022
LUDOVIC NKOTH, Night Watch, 2022, acrylic on canvas. Credit Eva Herzog. Courtesy Massimo De Carlo

07.05.2022
JAMIAN JULIANO-VILLANI, Shut Up, the Painting, 2018, Ex. 101.6 × 122 cm / 40 × 48 inches. Courtesy the artist and Massimo De Carlo

30.04.2022
PAOLA PIVI, Share, but it's not fair, 2012, Ex. unico - 500 cuscini. Tessuto: cotone - Dimensioni variabili / 500 pillows -Variable dimensions. Credits Thomas Fuesser Courtesy Massimo De Carlo

23.04.2022
SILVIA BÄCHLI, Untitled, 2021, Gouache su carta 144,3 × 409 cm 8 parts (72 x 102 cm each; 0,3 cm apart). Courtesy the Artist and Galleria Raffaella Cortese, Milano

16.04.2022
MARTHA ROSLER , Invasion, from the series House Beautiful: Bringing the War Home, New Series, 2008. Photomontage 77,2 × 137,2 cm; 80 × 140 × 4 cm framed Ed. 10 + 2 AP © Martha Rosler; Courtesy of the artist, Galleria Raffaella Cortese, Milan and Mitchell-Innes & Nash, New York

09.04.2022
YAEL BARTANA, Patriarchy is History, 2019, Neon, 198,4 × 185,3 cm, Ed. 3 + 2 AP. Photo: t-space studio. Courtesy the Artist and Galleria Raffaella Cortese, Milano
02.04.2022
MONICA BONVICINI, Alabama 2011, 2016, Dittico,Tempera e pittura spray su carta Fabriano intelaiata 198 × 307 cm overall; 2 pieces 198 x 153 cm each. Courtesy of the Artist and Galleria Raffaella Cortese, Milan © Monica Bonvicini and VG Bild-Kunst. Photo: John McKenzie

26.03.2022
JONATHAS DE ANDRADE, Sobrecarregado, por Oristes / Overcharged, by Oristes - from the project Eu, mesti o / Me, mestizo 2017, Stampa UV su Falconboard 16 mm, 359 x 179 cm. Courtesy: the artist and GALLERIA CONTINUA. Photo: Allison Borgo. Mostra: Géometries Instables, Galleria Continua Paris, 2022

19.03.2022
NARI WARD, Domino Men 2011, 28 domino. Legno bruciato, pneumatici, vestiti usati 208 x 61 x 48 cm ciascuno. Courtesy: the artist and GALLERIA CONTINUA Photo by: Oak Taylor-Smith Exhibition: Radiant Opacity Year and place: 2021 / Galleria Continua, Les Moulins

12.03.2022
GIOVANNI OZZOLA, Traces of wind, 2021, Veduta della mostra a Galleria Continua / Beijing 2021. Courtesy: the artist and GALLERIA CONTINUA. Photo by: Dong Lin

05.03.2022
CARLOS GARAICOA, Ciudad Archivo / Archive city, 2020, cartone, MDF laccato, neon e metallo, dimensioni variabili. Courtesy: the artist and GALLERIA CONTINUA - Photo by: Ela Bialkowska, OKNO Studio. Exhibition: Imágenes Infieles / Unfaithful Images Year and place: 2021 / Galleria Continua, San Gimignano

26.02.2022
Pieter Vermeersch, Untitled (Blue 0-100%), 2021, pittura acrilica su muro, dimensioni variabili, Courtesy l’artista e P420, Bologna (foto Carlo Favero)

19.02.2022
Goran Trbuljak, Sketch for sculpture, 1993, fotografia in bianco e nero, cm. 50,5 x 60, Courtesy l’artista e P420, Bologna (foto Carlo Favero)

12.02.2022
Irma Blank, Radical Writings, Exercitium 20-2-88, 1988, olio su tela, dittico, cm.40x80 totali, Courtesy l’artista e P420, Bologna (foto Carlo Favero)

05.02.2022
Paolo Icaro, Cantiere, 2019, installation view, foto Michele Sereni, Courtesy Galleria P420 Bologna
29.01.2022
Peter Halley, installation view del garage di Pinacoteca Art Drive In, 2021, photo credit Petrò Gilberti, courtesy l’artista e Associazione BELLEARTI e Galleria Massimo Minini


22.01.2022
Paolo Novelli, Il giorno non basta, mostra in corso, photo credit Petrò Gilberti, courtesy l’artista e Galleria Massimo Minini
15.01.2022
Intallation view della mostra di Maurizio Donzelli. Courtesy l’artista e Galleria Massimo Minini
11.01.2022
Photo-souvenir: Daniel Buren, Fibres optiques – Bleu clair K1+K2, travail situé, 2013; Photo-souvenir: Daniel Buren, Fibres optiques – Violet K1+K2, travail situé, 2013; Mirad’Or, Pisogne (Brescia), aprile-settembre 2021, © Michele Nastasi - Courtesy Galleria Massimo Minini